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It’s telling that Disney Studios chairman Jeffrey Katzenberg thought The Little Mermaid would flop because it targeted a young female audience – yet, by my lights, the best Disney films are those that truthfully shade the injustices felt by young, misunderstood woman. Alan Menken’s music and Howard Ashman’s lyrics make a daydreaming teen belter for the ages with “Part of Your World” – no wonder the pair nabbed two Oscars, for the original score, and for “Under the Sea.” Sebastian, Flounder and Scuttle share the anthropomorphic sidekick duties, with Sebastian in particular rising to the occasion as Cupid, Maitre D’, personal advisor and so much more (“Kiss the Girl” sets the example for every good wingman out there). Of course, we’ll keep remaking it until we figure it out.Ī story about love against all odds which also lets a young woman come to terms with how much her voice matters? T he Little Mermaid is almost progressive! There are more fantastical elements – starting with, well, the fish tail – yet a real sense of sincere frustration and longing which make Ariel’s plight ring true. Drug use, political uproar, extinction and loneliness somehow co-exist in a 75-minute cartoon. There’s coherence in the chaos, a sense of wonder even as it all falls apart. Rarely have there been more theatrical alter egos, each one completely antithetical to the last, in a film that somehow retains a single narrative thread to keep us bobbing along. Rage pushes wildlife animals to extremes, the confusion of a Mad Hatter leads to celebrations in times of upheaval. Alice is docile and curious, but the characters she meets – dodos, Cheshire cats, queens and mad hatters – are greedy, grotesque, selfish and spiteful.
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This woozy, hallucinatory trip down the literal and phantasmagorical rabbit hole pushes and pulls what you might expect from a daydream of a movie for kids and a bad trip of a cartoon for adults. There have been other princesses, other young women to root for across the canon, but there is nothing like Alice in Wonderland.
After all, you should never judge a frog by its mucus. It proves there’s always room for a fresh start in a traditional story, especially if you're willing to elevate new voices. Smith as the “lovechild” of Captain Hook and Cruella de Vil) – the traditional animation looks enchanting and innovative.
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Full of luminous fantasy sequences – led by the camp intimidation of the Shadow Man (described by supervising animator Bruce W. Randy Newman’s bouncy score (“Almost There” will ring true for anyone doing their best in pursuit of a dream) and Bruno Capos’ seductive and silly voice work as Prince Naveen prop up the breezy vibe of the film. Musker and Clements strike gold by relocating the age-old story of vanity and true love to a place that knows the value of ambition and hard work. Separating the good from the bad, the embarrassing from the enchanting, behold: all 59 Walt Disney Animation Studios films, ranked from worst to best…Ī princess who has tangible, practical dreams as well as a sense of loyalty and romance? Tiana must be protected at all costs! The Princess and the Frog builds a vivid, inviting world around the music and soul of New Orleans, emanating warmth with every performance and in the smile of each passerby. But of course, with such an immense output, they can’t all be top-tier. Over half a century of storytelling has seen the studio explore mythologies from around the world, experimenting with animation techniques and musical styles that have created visually dazzling affairs and heartrending original songs.
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When lighting strikes, it strikes: find a Disney film that understands just how to convey the high stakes of a love story against all odds, that understands how to convince you the princess has earned her crown and will fight for her values no matter what, and it’s magic in the most powerful form. It’s quite simple, really – what separates a good Disney film from a great one is what is done within the framework, the colours and sounds and feelings that bring the skeleton to life.
Star-crossed lovers optimistic princesses shunned young outcasts unlikely adventurers.
There are 59 Walt Disney Animation Studios films, and roughly half a dozen story templates across them.
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